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  <id>tag:dreamwidth.org,2023-09-03:4141581</id>
  <title>Tantai Jin Apologist</title>
  <subtitle>I have zero chill &amp; am here to make that everyone's problem.</subtitle>
  <author>
    <name>thispatternismine</name>
  </author>
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  <updated>2026-04-17T20:25:36Z</updated>
  <dw:journal username="thispatternismine" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2023-09-03:4141581:87629</id>
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    <title>Back at the cinema again</title>
    <published>2026-04-06T20:33:08Z</published>
    <updated>2026-04-06T20:33:08Z</updated>
    <category term="film"/>
    <dw:mood>pleased</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Just got back from seeing &lt;i&gt;They Will Kill You&lt;/i&gt;. Huge amount of fun, lashings of gore (how did that only get a 15 cert like damn), great fight choreography.

&lt;p&gt;Also some amazingly good cinematography going on. Well-framed shots, &amp; good lighting &amp; use of colour. I feel like it overdid dolly zooms (this is where the subject stays in place but the background seems to woosh forward or backward) maybe a little but eh whatever. They did not have to make such a hammy, ridiculous, horror-comedy film look this good, but I appreciate their doing so.&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=thispatternismine&amp;ditemid=87629" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2023-09-03:4141581:87419</id>
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    <title>Books &amp; Film</title>
    <published>2026-04-04T10:04:15Z</published>
    <updated>2026-04-04T10:48:24Z</updated>
    <category term="books"/>
    <category term="film"/>
    <category term="life stuff"/>
    <dw:mood>happy</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Went to see &lt;i&gt;Project Hail Mary&lt;/i&gt; this week. Twice! It was so good, &amp; very faithful to the book. A few things got cut or condensed for time, or tweaked to work in a visual medium, but overall it was a perfect adaptation. I got a free beanbag afterwards too, similar to the ones seen in the film.

&lt;p&gt;Second time I essentially got my own private screening, as I went to a small independent cinema on a Wednesday afternoon &amp; it's a few weeks into its run, so it was just me. Did nearly get lost in the place, even though it only has 3 screens, because in order to fit within the fairly small building its located in, the layout is odd &amp; the hallways are a maze.

&lt;p&gt;I'm rereading the book now, because it's been a while since I read it.

&lt;p&gt;Speaking of books, I managed to pick up a copy of &lt;i&gt;Ways of Seeing&lt;/i&gt; by John Berger from WH Smith (or whatever its calling itself these days) for £1 on clearance. I absolutely was not expecting that. Just went in because I needed stationary &amp; that shop is so overpriced, the clearance section is the best option. I such a good book &amp; I've wanted by own copy for a while, so randomly stumbling on one like this was very nice indeed. There was also a fun art book (&lt;i&gt;Journal With Purpose&lt;/i&gt; by Helen Colebrook), that might actually encourage my creativity. Every art guide aimed at beginners is like 'Just draw things! Be creative!' &amp; I'm like OK, but draw what? My mind is as blank as the paper I'm looking at. Or they're step guides on how to draw specific things that I don't necessarily want to draw ('Do you mean step-by-step guides?' No, because they don't have steps. It's like &lt;i&gt;'Step 1: Draw some circles &amp; then some lines between them. Step 2: Fill in a shitload of detail &amp; you're done!'&lt;/i&gt;). This book is full of little motifs &amp; designs to try out doodling in order to add decorative touches to stuff &amp; play around with. This is exactly what I want. I don't have any grand designs on being some skilled artist. I just wanna doodle stuff &amp; have fun with shapes.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=thispatternismine&amp;ditemid=87419" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2023-09-03:4141581:82676</id>
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    <title>Rian Johnson really doesn't miss</title>
    <published>2025-12-01T17:36:52Z</published>
    <updated>2026-04-17T20:25:36Z</updated>
    <category term="life stuff"/>
    <category term="yes please"/>
    <category term="film"/>
    <dw:music>Some edgy pop/r&amp;b version of 12 Days of Christmas</dw:music>
    <dw:mood>pleased</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;i&gt;Wake Up Dead Man&lt;/i&gt; was so good! A little slow at the start, though that's mostly because I hate religion. And ngl I was still expecting standard film pacing, which is a mistake in a &lt;i&gt;Knives Out&lt;/i&gt; film &amp; I really should know better at this point lol. I'm currently chilling in a Tim Hortons afterwards, enjoying a pistachio &amp; white choc latte, &amp; picked up some timbits for later.

&lt;p&gt;I definitely need to rewatch at home to catch everything I totally missed. Though I feel this won't be one I'll watch over &amp; over like the previous two.

&lt;p&gt;First time I've been to the cinema since before covid (last film I saw in the cinema was &lt;i&gt;Rise of Skywalker&lt;/i&gt;, which would put anyone off wasting money on cinema tickets, especially considering how much they cost nowadays). To be fair, there's been stuff since that I might have been interested in seeing, but the cost of tickets means I have to be sure I really want to see something, &amp; have money to burn that I'm willing to make a risky bet with. And have the time. This was the first time all those things have applied.

&lt;p&gt;Also today I checked out a vintage kilo sale on my way to the cinema, but didn't see anything that interesting.&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=thispatternismine&amp;ditemid=82676" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2023-09-03:4141581:64957</id>
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    <title>WANTWANTWANT</title>
    <published>2024-09-03T17:50:57Z</published>
    <updated>2024-09-03T18:02:07Z</updated>
    <category term="watership down"/>
    <category term="film"/>
    <dw:mood>excited</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">OMG so the &lt;i&gt;Watership Down&lt;/i&gt; film is getting a fancy rerelease including a 4K version &amp; with a bunch of special features?? Fuck yeah!

&lt;li&gt;Newly recorded audio commentary by film and animation experts Catherine Lester and Sam Summers
&lt;li&gt;Vintage audio commentary by director Martin Rosen and writer and filmmaker Chris Gore (2003)
&lt;li&gt;Defining a Style (2005): short featurette about the film’s aesthetic
&lt;li&gt;A Conversation with the Filmmakers (2005, 17 mins): Archive featurette in which director Martin Rosen and editor Terry Rawlings discuss the production history of the film
&lt;li&gt;Storyboard comparison (2005, 15 mins): a look at four sequences from the film
Super 8 version of the film (20 mins)
&lt;li&gt;Humberstone Super 8 footage (3 mins): Footage shot by Arthur Humberstone, one of the senior animators on Watership Down
&lt;li&gt;Designing Watership Down (2024, 5 mins): a gallery containing some of the materials related to Watership Down courtesy of The Arthur Humberstone Animation Archive
&lt;li&gt;Once We Were Four (1942, 9 mins): a bunny quartet face an onslaught of badgers, bombs and birds of prey in this black comedy masquerading as a nature film, directed by Mary Field
&lt;li&gt;Rabbits or Profits? (1969, 15 mins): public information film providing a potted history of rabbits in the UK
&lt;li&gt;Bolly in A Space Adventure (1968, 5 mins): a short Halas &amp; Batchelor animation about the adventures of Bolly and his friends on imaginary planets, featuring animation by Tony Guy, animation director on Watership Down
&lt;li&gt;Make Believe (1948, 17 mins): Anson Dyer tells 'The Tale of Ronnie Rabbit' in this documentary showing the various stages of making a cartoon bunny
&lt;p&gt;And there's a poster, postcards &amp; a booklet! Ooh &amp; apparently an enamel pin badge if you order direct from the BFI? I was gonna get it from HMV because I stumbled on this rerelease while browsing their website &amp; I like being able to go into physical shops to pick stuff up, but I just checked the BFI's site to see if they had additional info &amp; ooooh badge!
&lt;p&gt;&lt;img src="https://64.media.tumblr.com/8f8dd42b4581b73b3c0a3166d160ff56/6146ef0bbbe3dfba-89/s640x960/d37682180b27d3cd152adc65217e6653e32e268f.pnj" width="100%"&gt;
&lt;p&gt;I need it!
&lt;p&gt;EDIT: I notice they've also bumped up the rating. Yeah that was never gonna get a U certificate nowadays lol&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/p&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=thispatternismine&amp;ditemid=64957" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
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